![]() That program has been re-broadcast three times. The result was R e m e mb e ring I c aru s, which was premiered by the Las Cruces Symphony in October 2005 and later heard together with an interview with the composer on NPR’s Performance Today. F e r d i nand.Īn unusual request came from public radio station KRWG in Las Cruces, New Mexico: to compose an orchestral piece to celebrate a seventy fifth anniversary, a rare example of a public radio station commissioning a public radio figure. In October of 2003 McGlaughlin led the Tucson Symphony in the premiere of T he B e l l s of St. McGlaughlin served as guest composer in residence at The Chamber Music Festival of the East in Bennington, Vermont in the summer of 2003 and composed two pieces which received their premieres at the Festival - E c ho es, for horn trio and T h r e e by Six for chamber ensemble. T h r e e Pi e c e s for W i nd T rio was given its first performance at the Kemper Museum in Kansas City on June 1, 2002. Ang e lu s, composed in celebration of the 50th Anniversary of the Minneapolis Civic Orchestra had its premiere on March 17, 2002. In addition, he contributed a piece for a “quartet of neglected instruments” for the DecemPrairie Home Companion broadcast from Town Hall in New York. He has also composed a piece in collaboration with Garrison Keillor, Surv ey i ng L a k e W ob e go n, which had its premiere at the Ravinia Festival on Septemand continued to be played by orchestras from coast to coast. His recent works include W alt W hi t ma n ’ s D r e am, for large chorus and orchestra, a work commissioned by Continental Harmony, a Millennium project sponsored by the National Endowment for the Arts and the American Composers Forum. In the summer of 1998 McGlaughlin signed a contract with Subito Music, which now publishes all of his work. Aa r on ’ s Horizon s, a work dedicated to the spirit of Aaron Copland, with whom McGlaughin worked in the 1970s, has been heard nationwide in a broadcast with members of the St. Cummings - a work dedicated to the memory of the young composer and pianist Kevin Oldham - was enthusiastically received by audience, performers and press at its premiere with the Kansas City Symphony and was quickly followed by five more premieres within a ten month span. His T h r e e D r e a ms and a Qu e st i on: Choral Songs on E. It was not until 1997 that McGlaughlin made a public debut as a composer. E x plor i ng M usic is now in its ninth season, playing in two hundred markets across the country as well as in Australia and New Zealand. ![]() In November 2002, the NEA announced a special grant to the WFMT Radio Network to fund the development of a new daily program: E x plor i ng M usic w i th Bill M c Glaughl in, which began syndication on October 6, 2003. McGlaughlin has worked with PBS, the BBC and is now in his twelfth season as co-host of the chamber music program C e nter Stage F r om W olf T ra p. In 1996 the program received the highest honor in broadcasting, the George Foster Peabody Award. McGlaughlin has also been active in broadcasting, serving as host of the popular public radio program St. ![]() Of course, I had no idea what that decision meant exactly.” Louis, American Music Theater Festival and San Antonio Festival. He has also been active as a guest conductor, leading the Baltimore Symphony, Denver Symphony, Houston Symphony, Los Angeles Chamber Orchestra, Minnesota Orchestra, National Symphony, New Orleans Symphony, Oregon Symphony, Pacific Symphony, Pittsburgh Symphony, St. Paul Chamber Orchestra, followed by periods as music director of orchestras in Eugene, Tucson and San Francisco, and most recently, a twelve year engagement as Music Director of the Kansas City Symphony. He has served as an educator, as a performer - a trombonist with the Philadelphia Orchestra and Pittsburgh Symphony, and as a conductor - seven years as Associate Conductor with the St. Over the years, McGlaughlin was to discover that “being a musician” could embrace a great many paths. I can remember thinking as I walked away from my second piano lesson - “Well, that’s it. “Happily, I understood immediately what a wonderful thing I’d stumbled into. William McGlaughlin’s introduction to music came late he was fourteen before he took his first piano lessons.
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